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Part of my own struggle or journey is to not let being gay define me like society wants it to define me. “They were defined by their sexuality and nothing else.
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“Being gay myself, I grew up watching films and TV where the gay characters were villains or psychopaths or tragic victims,” he says. Virtually all of Ball’s projects have had queer representation and it’s important for him that they do. She becomes something of a mentor to Frank, telling him what he told her - ‘Be who you want to be and don’t care what others think.’” She becomes someone she can look up to someone who can be a mentor. In the end, she becomes more comfortable with herself and more independent, her own person. “She loves Frank because he takes her seriously and talks to her like an adult. “In the beginning Beth feels she is stuck in South Carolina,” the actress says.
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She read the script, too, and loved it, especially Beth’s arc. Lillis heard about the project from her agent. “After he died, my father went back into the closet and I have some knowledge of someone who is running from themselves and I felt I could help and it could be useful (for this character) to be me.” “I was raised by a closeted gay man who came out when he was 63 years and he had a 20 year relationship with a man who I believe was the love of his life,” says Bettany. The actor’s own upbringing made him relate to the character of Frank. “We had a beautiful phone call,” Bettany says. Bettany did want to talk to Ball first, however, and make sure he was the most appropriate actor for the role. The fact that Ball wanted Bettany to play the lead character made the actor receptive almost immediately, even more so when he read the script. Eventually Miramax said yes, but it took two or three years to get set up.” Eventually we got Paul Bettany attached and that helped us to get into some meetings with other financiers. I think they looked at it and said we don’t see how this is going to make us any money. “It took us a long time to find a financier,” says Ball. When Ball was finished, though, he didn’t find an automatic greenlight for the film.
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What would that story have been? It percolated in my head for 25 years and five years ago I sat down to write a script and ‘Uncle Frank’ is what came out.” I don’t know if my father was gay - he was already dead and I wasn’t able to have a conversation with him about it - but it opened this window into my brain of what if this were true. I later found out my father had accompanied this man’s body on a train back to his hometown of Asheville, North Carolina. “I had never heard of that person and my mother said he was a real, real good friend of your daddy. Ball also learned about a close friend of his father. “She said, ‘I blame your father because I think he was that way too,’” Ball recalls. When he did, he got an unexpected response. Ball was living in New York City and went home to Marietta to come out of the closet to his mother. 25 on Amazon Prime with an ensemble cast that also includes Lois Smith, Steve Zahn, Judy Greer and Margo Martindale. Not long after, Beth and Frank return home to South Carolina after a family tragedy - with Frank’s partner Wally (Peter Macdissi, Ball’s longtime collaborator and domestic partner) joining as well. In the film, set in 1973, 18-year-old Beth (played by Sophia Lillis) comes to college at New York University and learns that her titular uncle (Paul Bettany), a literature professor, is gay and in a long-term relationship with another man.
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He’s had tremendous success in both film - winning an Oscar for his screenplay for “American Beauty” - and in TV, creating iconic series such as “True Blood” and “Six Feet Under.” Now, Alan Ball - who was born in Marietta - is back with a new project, the character-driven “Uncle Frank,” which he both wrote and directed.